THE MEANING OF TRUTH IN HEIDEGGER'S CRITIQUE OF SUBJECTIVE AESTHETICS

  • Zlatko R. Popovski Institute of Macedonian Literature, University “Ss. Cyril and Methodius”, Skopje
  • Vesna Pavlovic Institute of Macedonian Literature, University “Ss. Cyril and Methodius”, Skopje
Keywords: Truth, Erlebnis-Ausdruck, Gefuhlzustand, Stimmung

Abstract

This article assumes a "philosophical mapping" of Heidegger's relationship to artistic phenomena, in the light of its very specific reception and interpretation of aesthetics – that is, problematization of its existence. The author initiates an argument of Heidegger's rejection of the two epicentral notions into subjective aesthetics – "expressing the lived expirience" (Erlebnis-Ausdruck) and "affective state" (Gefuhlzustand), respectively on Heidegger desubjectification experience and recommendation of the Stimmung. The aim is the reflection and representation of one aspect of Heidegger's relationship to aesthetics, apropos questioning and positioning of Heidegger's thinking of the artistic phenomenon. The thematic and content framework underlines the importance of the Truth as the “backbone” around which, on the horizon of the thought – logos is feigning – not as a collection in unity, but as a assemblage which "sticks" and "bears", which maintains and preserves the contrary.

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Published
2018-03-09
How to Cite
R. Popovski, Z., & Pavlovic, V. (2018). THE MEANING OF TRUTH IN HEIDEGGER’S CRITIQUE OF SUBJECTIVE AESTHETICS. Knowledge International Journal, 22(6), 1831 - 1836. Retrieved from https://ikm.mk/ojs/index.php/KIJ/article/view/2885